03/31/08 (#0227) Curbing our enthusiasm
(Re TN# 223)
Your comments on contemporary art hit a true note for me. The sister
of Roy Lichtenstein is a friend of mine. She owns a number of his
early paintings, True works of art. Not at all the sort of paintings that
became so popular and made him a millionaire, As I viewed his early work
and thought of his mass selling items it occurred to me that he was
laughing all the way to the proverbial bank. He must have
known it was a fad. And rock and roll will not be here
long either while Beethoven remains forever. - Martin Bruce
Lichtenstein made one
very funny graphic joke commenting on the comic soap opera art as a
parody of real life. Everybody laughed. It was something new. So he painted a
zillion variations on the joke, with metaphysical overtones. Why? Well,
probably to explore the possibilities of the form (which are more
literary/philosophical than painterly). But surely one of his reasons must have
been because people kept buying. Like Warhol's soup cans, Lichtenstein's
magnified out of context comic frames were the ironically hip things
to hang in a modern appartment. It was the zeitgeist. But I think
the fad has already passed. By the way, Warhol was also a fine artist
but there wasn't much money in that. Being an outrageous celebrity turned
out to be far more profitable (and art-historically significant). -
the Ed.
It is fundamentally
unscientific to put one's faith in science. Yes, scientists make leaps of faith
all the time - what they call hypotheses. But the end product of science is the
theory, a self-consistent descriptive narrative
that conforms with actual observations, but lays no claims to truth or
permanence and is subject to change without notice as new facts emerge.
It's somewhat more
reasonable to put one's faith in technology. I mean technology that works, like cars, light bulbs and i-Pods. At least
that's something indisputably real. Of course, reality is not 100%
trustworthy. As someone elegantly observed: shit happens. Still, the reliability
of modern technology is more than remarkable. It's astounding, considering the
complexity of some of our gadgets. (Yet the early cars, which were relatively
simple, were not nearly as reliable as contemporary cars which are marvels
of complexity. Evidently, reliability and performance can improve with
complexity - up to a point. Eventually, I suppose, things become too
complex to control. The human brain may be approaching that practical limit of
complexity. In a way, it's not functioning as well as when it was simpler. Lower
animals don't suffer from neuroses and psychoses with which humans are
universally afflicted to a greater or lesser degree. But I digress).
Tangible and functional as
technology is, it is still full of bs. Science, at least in principle,
is dedicated to discovering how the world works. Technology, on the other hand,
is absolutely unprincipled. It has no purpose, no ideal, no conscience.
In a capitalist society, it's primary application is to make money for the
capitalists. Period. Everything else is secondary. In more rational societies,
technology's primary application is to improve quality of life.
Technically, if capitalists
were rational, making money and improving quality of life would be synonymous.
However, capitalists are typically motivated by greed and fear, neither of which
are especially rational. Most capitalists, for all their "long term" strategies,
live in the here-now, where the money is made. where greed and fear rule. In
fact, many, if not most items of commerce have some adverse effect on the
quality of life, present or future. Time savers waste our time, medications
ruin our health, rapid transportation and communication push us into psychotic
breakdowns, "green" fuels accelerate global desertification, automation
dehumanizes us by removing social transactions from our lives. All in the name
of maximizing short term profits and keeping the economy humming by giving
people now what they think they want. (Incidentally, what people think they want is easily manipulated thus providing
the basis for one of the largest industries in the world).
.
I am not a luddite, and I am not
a pessimist. It's not technology I object to but its misuse. And I recognize
that misuse of technology is not universal. There are certainly many
examples of sound applications of technology which actually make our lives
more effective and more
enjoyable. Nevertheless, Sturgeon's Law applies: 90% of everything is
crap. Including 90% of science and technology. And that's as good as
it gets.
Until tomorrow,
Paul W.
03/29/08 (#0226) The numbers
game redux
OK, class, it's math time again! Today: the wonderful world
of numbers. I was practicing arithmetic in Spanish this morning and, naturally,
my mind wandered from cinco y siete son doce to
the more interesting question: how many different kinds of numbers are there? I mean fundamentally different, completely
different animals that don't mix and can't mate.
Let's see. To begin with there are numbers that are merely
labels - like the Social Security number. Means nothing except to identify a
thing, person or place. You can't do arithmetic with these numbers - it would
be meaningless. But you can sort them, arrange them, stack them, track
them. The numbers on a ruler are that sort of numbers - they're place
markers, labels for particular positions on the ruler.
Except that the numbers on a ruler
are neatly arranged in a row and evenly spaced. That makes them special. As
mere place labels, their arrangement is incidental and meaningless. But
because they happen to be equally spaced
they become completely different kind of numbers: units. Units can be used
to measure (that is, compare) sizes, distances,
weights, intensities. You can do arithmetic with
units. And they can be subdivided indefinitely, way past the point of any
conceivable usefulness. There is such a thing as
the smallest size than which no size can be smaller - it's called a quantum -
but unit type numbers are totally oblivious to such practical limits. There is
no such thing as the smallest unit number. Or the largest. Weird.
OK. that's two completely
different kinds of numbers. Next we have pebbles. I mean counters. Numbers used
to determine how many things there are in a group of things. They are not the
same as units, they cannot be subdivided for one. I'm not sure you can do
regular arithmetic with them (how much is five giraffes times eight horses? Or
three oranges minus two apples?) but you can do all sorts of logical
operations on them by sorting things in a group into sub-groups and grouping
smaller groups into super groups, etc.
Then there are numbers which are products
of defined logical operations which may be exactly specified but
cannot be actually carried out because they involve an endless series of steps
that do not converge predictably on some definite limit (fractals and chaotic
systems come to mind). And other strange inventions of the mathematical mind
that represent logically consistent relationships among inconceivables. Among
these, there may well be an infinity of different kinds of numbers, but I will
just lump them all into one category of "theoretical numbers". Their
utility lies in sometimes making it possible to analyze and predict behavior
of complex systems. They are not numbers of human experience. Not even
of mathematicians.
Until
Monday,
Paul W.
03/28/08 (#0225) Fine art is where you find
it
(Re: TN
#224) All of us are pushed to lose our cool in certain
circumstances. It is especially difficult for rational people to deal with
irrational people, and we sometimes do so by allowing the base part of our
nature to rear its ugly head. It is better to lose one's cool than to
resort to violence. Case in point, last week I told some of the people I work
with to go screw themselves and let them know I was looking for another
job.
I have found that the older I get, the worse I am treated,
and the more people try to take advantage of me. So, whatever happened,
don't dwell on it; and certainly don't put yourself down for reacting to the
words or actions of some idiot. Take care--you are not alone. - Rhoda
As a matter of fact, I am also
getting out of the, in my case, volunteer job I had been doing for some years
now. The situation has been rendered intolerable by a couple of control freaks
whom I dared to defy. However, if no one is willing or able to take over I
will stay and continue to infuriate those who insist on their way or no
way. Thanks for the encouraging words and good luck! - the Ed
Hans Christian Andersen wrote dark
stories for children and enjoyed a rather fab life as a respected author. In the
1940s (I think) Sam Goldwyn produced a musical called "Hans Christian
Andersen" with music and lyrics by Frank Loesser and starring Danny Kaye. Kaye
was fabulous as a physical comedian but in this movie his
comedic talents are not much called for. It's an Andersenesque tragic fairy
tale (based very loosely on the story of the tin soldier and the
ballerina) although with an upbeat ending. It has nothing to do with
Andersen's real life story. What it does have is a set of world class tunes and
some gorgeous sets. Also some interesting choreography although the
starring ballerina, for all her chops, was not the greatest hoofer I
had ever seen. But never mind.
I first saw the movie too many years ago to remember when,
or for that matter, to remember (except for the tunes, which are
permanently stuck in my mind). So it was all new to me when I watched it last
night. What
really caught my eye were the sets for
the dance pieces. Many of them were fine works of abstract expressionism -
strikingly beautiful, expressive, evocative, imaginative, fantastic. They
stole the show. I looked in the very basic 1940s style title credits for
the name of the set designer but there wasn't any listed. There was a name
associated with "set decorator" which I did not recognize. I'll have to check
out the web movie archives and dig out the designer's name - he (probably
not she) is an artist worth knowing.
Until tomorrow,
Paul W.
03/27/08 (#0224) Bad
day in Possum Hollow
I don't interact well with people
in real time (I blame the old Asperger's - a convenient excuse).
When people are friendly and rational I can fake my way through most
situations, but when they are unfriendly and/or irrational I allow myself to get
all flustered and then hate myself for not having kept my cool. Later, much
later, I can sort out the motives and methods of all parties including
myself and come to understand how I got trapped into irrational
behavior, but by then it's water under the bridge. Then it happens all over
again.
The good thing that
comes out of my interactions with unfriendly irrational people is that I am
made acutely aware that my thoughts run on different tracks than those of my
readers or listeners. I keep being amazed at the extent to which people can
misunderstand my words. Actually, this is very useful information which I
should always keep at the back of my mind but I keep forgetting. No
matter the lengths I go to to assure my statements are of
pellucid clarity, their intent can and will be detoured, inverted, subverted or
obliterated. To provoke an attack all you really need to do is open
your mouth. It is at such moments that I grow especially appreciative of the
subtle art of persuasion wherein one must at first cater to the very qualities
of mind one seeks to dismantle or turn around. But I have no talent nor taste
for it. I plough on directly and desperately, against better judgement, until
I'm stuck with no wiggle room left. It's my pathetic rebellion against "what is
the case", my doomed heroic refusal to go along with reality. (I have my
quixotic side...)
So after a
day of charging at the windmills I am allowing myself just a pinch of
discouragement (with myself, of course) to season my perennial optimism. But I
shall heed my own words uttered today to a man who was complaining that his
volunteer service was too thankless and burdensome and thinking of quitting. I
said: "
somebody has to commit to bear the burden
or the whole enterprise fails and
everybody
looses, the good the bad and the indifferent". Nilly willy we have to drag along
with us the useless but unsheddable dross or go nowhere.
Until tomorrow,
Paul W.
03/25/08 (#0223) Next big bust
You read it here first. I predict the next big bust
will be in contemporary art. So if you're heavily invested in recent works of
today's hottest artists - now's the time to unload them. Anytime now, some
naive celebrity is bound to point out the plainly evident but, so far,
carefully ignored fact that the Emperor has no pants on, and her
remark, caught by some amateur camera and subsequently posted on the
You Tube, will spark a spontaneous global explosion of derision and laughter.
In the last decades of the 19th
century and early decades of the 20th, there was much outrage and
frustration as the fine craft of pictorial art gave way to uninhibited
experimentation with impression, expression, abstraction and pure form not
consciously intended to symbolize, evoke or represent anything other than
itself. All that was understandably a little hard to take for minds
conditioned by the longstanding tradition of skillful pictorialism,
but it brought about a conceptual revolution that vastly
expanded the range of methods and means available to art. Long
live the revolution!
However, like all revolutions, the aesthetic revolution
brought with it its own peculiar excesses and atrocities and no end of
confusion (which continues to this day despite or perhaps because of Duchamp and
the Dadaists who revelled in it). These are unavoidable consequences of
revolutions, but as long as the natural processes of discrimination and
judgement are allowed to play out normally, no permanent harm is done. The
idiocies, the inadequacies, the vapidities, and plain incompetencies
are sorted out over time and wind up in the trashcan of art history.
This will also happen inevitably
to the contemporary art (the well documented Sturgeon's Law states - somewhat
optimistically - that 90% of
everything
is crud). But just at the moment we are in a bubble of irrational exhuberance
with respect to the most extreme experimentations with the notion of "art". Of
course, art must keep testing its limits but not all such tests result in
successful breakthroughs. In fact, damn few do.
That's what's not being recognized by the
current crop of art cognoscenti and art collectors (
not, incidentally, one and the same though there
may be some overlap). In this post-post-modern era of artistic
laissez faire absolutely anything goes which is a lot
of fun unless you take it seriously. I suppose it's OK if you shell out big
bucks on this stuff - consider it a philantropic investment in
art R&D - just don't become infatuated with it lest you too become an
object of ridicule.
In the
meantime, the craft of skilled pictorialism lives on, both as a
classical tradition and as a significant part of the contemporary
mainstream. It has become a standard part of art's technical tool
kit though nowadays it is often used ironically or metaphorically.
Until tomorrow,
Paul W.
03/21/08 (#0222) Thoughts for Good FridayWhat is
the difference between "necessary" and "unavoidable" when used in reference to
suffering? It's a matter of presence or absence of conscious intent. It's the
difference between "I
need to suffer" and "I
can't avoid suffering". Which one was the case with Jesus who was publicly
tortured to death by the reluctant Romans at the behest of the Jewish religious
establishment who were afraid of his heterodoxy and growing popularity?
I don't know what the contemporary
Christian theology has to say on this subject but many traditional Christians
believe it was the former, that Jesus suffered
willingly because it was necessary. My own view is
that Jesus suffered patiently because it was unavoidable. This, I think, is in
accord with the concept of a loving God. Such a God would not
desire to inflict torture on anyone, least of all
on someone in such special relationship to God as Jesus. But, as I have argued
before, evil (and the accompanying suffering) is not avoidable, at least,
not absolutely. Evil is the chaotic, unpredictable aspect of the
process of realization of intent (i.e. creation), the ultimately
irreducible error inherent in every intentional act, even
though it may run counter to God's intention. It is, as it were,
God's adversary ("satan" in Hebrew).
Obviously, God's intent cannot be absolutely thwarted by
chaos (which
is necessary to creation). It may be
hard won (the only way possible) but it prevails. Jesus's
horrible death caught humankind's attention and his life continues to
change hearts to this day.
Until Tuesday (the Nutshell is taking Easter off),
Paul W.
03/20/08 (#0221) America dreaming
At present, the stock markets
want to crash - we are in the full fledged Fear Cycle.
The Feds are taking desperate measures to keep the markets breathing, but it's
not taking. Each shock treatment results in a spasm of irrational exhuberance
followed immediately by a re-collapse. The charts for the last few months
look wildly out of control (though the long term trend is down down down).
Rumors abound.
Somebody is making lots of money at
the expense of all the regular Joes who piled into the stock market when it was
in the Greed Cycle. But the regular Joe accounts for 70% of the economy so by
squeezing him dry the pros are undercuting the very structure they feed on.
Killing the golden goose, in effect.
However, we
do have a safety
net: the war in Iraq. That's going to keep the contractors busy and profitable
for next hundred years (according to the next president of the USA). Eventually
all Americans will be working for the war effort, directly or indirectly. If
need be, we'll start another war - Iran has taken over from Iraq as the Next Big
Threat. Invading Pakistan might not be a bad idea either. We can't invade North
Korea because the Chinese might object and they're bigger than us, or soon will
be. Russia is an interesing possibility, but so far, nobody has
succeeded. Napoleon and Hitler both failed but, of course, they didn't have
nuclear weapons and anti-missile missiles. We do.
Protecting and promoting US style democracy and the
American Dream is getting to be a full time job. After all, everything else
is secondary. We may not have time, money or energy left to
live the American Dream but, of
course, dreams are not meant for living, they're meant for
dreaming. And, anyway, we can enjoy the American Dream vicariously through
the public lives of the few who, by the dint of hard work, determination,
and good connections do get to actually live it.
Of course, I'm not complaining or
anything like that. I'm living
my dream. In
America.
Until tomorrow,
Paul W.
03/19/08 (#0220) Odds & ends
Item: Checking the
YouTube for videos about Clinton and Obama I discovered that Obama's
detractors are much more vocal and virulent than Clinton's. There are some folks
out there bound and determined not to let a n****r (pardon my political
correctness) into the White House. However, I was heartened by Obama's
speech today. He did the right thing - he acknowledged his race and his roots in
the black culture and fully embraced them. Then he attacked racism head on.
In the end, this could actually turn out to be a boost for his
campaign.
Item: As a calm, cool and collected rationalist I
can't even begin to understand people given to extremes of passion. I know it
has to do with hormonal balance plus conditioning, but that doesn't tell me what
a towering rage feels like, or uncontrollable lust, or cold hatred. In my
teens I have been infatuated with a number of girls which is as close to extreme
passion as I ever got. I even contemplated suicide once but talked myself out of
it. What I feel for people totally driven by their passions is a mixture of
horrified pity and admiration. In any case, I try to stay clear of
them just as I would try to stay clear of a hurricane. It's only
prudent.
Item: I totally understand lesbians. What I can't
understand is why most women (and some men) are attracted to men.
Women, at their most glorious, are enchanting creatures. OK, so some of them are
bitches or narcissistic gold-diggers or dumb blondes, driving one to muse why
can't a woman be more like a man. But in her essence a woman is a graceful
and a beautiful being. Men, on the other hand, tend to be
boorish, brutish, uncouth and ugly. Majority seem to have failed to evolve from
the cave dwellers in whom those were desirable qualities. I
can see why some enlightened men might wish they were women.
Until tomorrow,
Paul W.
03/19/08 (#0219) Just doing it
I wish I knew what I'm doing. Actually, I don't. I'm not
sure I'd be doing what I'm doing if I knew what I'm doing and I do want to do
it. So I'm doing it and leaving it to others to judge. I can't. And that's OK.
It's still a lot better than doing nothing.
My biggest problem has always been that I have to have a
reason for everything. Correction: I have to have a reason for doing anything
that requires an effort. I do not require any justification for just
playing with stuff for the fascination of it, or better yet, doing
nothing. That is my good side. The trouble is my good side is
non-productive.
My other side
is obsessed with the idea of being worth something. To whom is not clear. My
style is not to play to any particular audience. I figure that being
human, if I do what I like it's bound to be worth something to
somebody. At least that's my fond delusion. So here I
am, trying to combine my both sides in a project that requires an effort to
produce tangible results but it's what I want (not necessarily
like) to do. I have no idea whether it's worth
doing or why, so I'm just doing it. That bothers me. Of course, if
somebody should say to me: "Hey, I like that and I want it" that would take
care of my angst.
I'm not
counting on it. If I did, that would violate my principle of
not producing anything for anybody in particular. That would be
employment and I have sworn a great oath to remain permanently unemployed to the
end of my days. So I have to allow for the possibility that what I produce
is not going to be worth anything to anyone. Sigh...
Until tomorrow,
Paul W.
03/17/08 (#0218)
Loosers
My favorite news analyst, Daniel Shore of NPR, noted
recently that the Democratic Party never misses an opportunity to miss an
opportunity. This time it has contrived to miss an opportunity of
historical magnitude - to finally break the necks of American sexism and racism
which, though incarcerated in the dungeons of political correctness, are
still very much alive and active.
I give Democrats E for effort. Thanks to them we had our
moment of audacious hope. However, the gray reality is that America evidently is
not yet ready for a president who is a woman or a dark skinned person. Clinton
and Obama will mutually self-destruct (with ample assistance from those who
have vested interest in destroying them both) and McCain will win by
default.
We could do worse. In
any case, I don't see McCain lasting for two full terms - though I may be wrong.
I could also be wrong about Democrats handing the presidency to McCain. It may
be that Clinton will prove to be indestructible. Or perhaps Obama will manage to
fire the American national imagination and show himself capable of being an
inspiring leader of
all the people. At
the moment these scenarios look like longshots. But who knows? The only sure
thing is that Democratic victory is no longer a sure thing.
Until tomorrow,
Paul W.
03/15/08 (#0217) Tremors
Re TN
#216) It is my personal belief and experience that once you notice God in the here
and now, the Joy which is God, is perceived, along with a peace that which
usually can not be explained in any simple terms. - Elisa
I would leave out "usually" and "simple". This is the realm
of immediate (pre-verbal) experience which is only obscured by words. - the
Ed
There are, to my regret, few
genuine mysteries in my life but this is one of them.
I live in the woods, in a little
chalet perched on stilts, clinging to a mountainside. The dead end gravel
road leading to the chalet is only travelled by me and my several
neighbors further down the road. The nearest public road is at least a mile and
half away. As I sit here typing this, all is quiet and peaceful. No creature is
stirring, not even a mouse (also to my regret, I had to evict the mice, cute as
they are, because they were not housetrained). I got the all night jazz
program on the radio but it isn't creating any perceivable disturbance.
Everything is as it should be. Normal.
However, every once in a while, as I sit quietly at the
computer, or in my recliner, reading, I perceive distinct tremors, usually
accompanied by barely audible sound like a heavy truck rumbling in the distance.
I say distinct because there is no doubt in my mind that I am experiencing these
tremors, yet they are so subtle that I have to wonder whether I am
hallucinating. The whole house seems to be vibrating but there is no visible
evidence of it - I can only feel it in my body - just barely. I haven't timed
this phenomenon but it seems to last for many minutes.
It's not momentary. It goes on and on.
Naturally, I get a little nervous whan this happens. The
chalet is overburdened with books and stuff (it actually started sinking at one
corner and I had to have it lifted and propped up with extra stilts). I can
visualize it sliding down the montainside into the creek below. Actually, I
very much doubt these tremors are strong enough to have any effect on my
foundations. Besides, they may not even be real.
I don't think they are earthquakes. Minor earthquakes do
occur in this area, but only very rarely. This is not a rare phenomenon,
and it doesn't have the characteristics of an earthquake. I had a weak and not
very credible theory that the vibration may be caused by wind shaking the trees
which in turn shake the ground but that was completely blown out when the
vibrations occurred on several calm windless nights (I have only
experienced the tremors at night). So far the phenomenon is a total
mystery.
Until Monday,
Paul W.
03/14/08 (#0216) Where's God?
Whatever you think I mean by God, that's not it. However,
here's a clue: as you know, I choose to believe that the universe makes sense
and has a
raison d'etre. This belief is not any
more rational than the belief that the universe makes no sense and has no
purpose (which some atheists insist makes sense to
them) but it is certainly a happier one (which,
oddly, is the very reason the same atheists reject it, their argument being
"the universe wasn't made to make us happy". How do they know that?). Anyway,
just to make these atheists even more unhappy (why not? they seem to like it) I
further believe that the purpose of the universe is to
experience joy. Take
that, you miserable atheists!
Somehow, experiencing joy is
related to Godhood and I'll leave it at that. This does not inhibit me
from asking
the Religious Question: where's
God? (Religion is all about finding God). In fact, I have the
chutzpah to think I know the answer (it's not illegal
to think that).
My
stated belief implies that God is everywhere. This actually is not very
helpful. Where exactly is "everywhere"? Well,
here-now, for one. In fact, here-now is the
only place I actually know by direct experience. The
only place I
can know by direct experience.
Everywhere "else" is only an inference from my experience of the here-now. That
simplifies the search for God a lot. God has
got
to be here-now. There are no other places for God to hide from
me. Not if God is to be found.
So far so good. Now comes the
curious part. If God is here-now and I am here-now how come I'm not perceiving
God? The answer to that is contained in two questions: who said I am here-now?
And: who said I am not perceiving God? Which brings us to a third question: who
am "I"?
What I think of as
"I" is, for practical purposes, the content of my mind which represents
only a part of my being. While my mind is certainly operating in
the here-now it's content may be scattered over the whole universe. My mind
may be revisiting the past, projecting the future, creating and playing with
abstract thoughts and images, and not paying much attention, if
any, to what's actually happening here-now. Most of the time we
operate on the automatic pilot, at the lower levels of consciousness
("subconscious" as Freud labelled it) not even noticing how we got from there to
here. So one thing I need to do to get into the same box with God is to pay
conscious attention to the here-now. (This is
popularly known as "meditation").
But the other thing is, I
am
already experiencing God, whatever state my mind may be in. The very miracle of
my mind, my
experience of being is a direct
perception of God. All I need to do is
notice.
Until tomorrow,
Paul W.
03/13/08 (#0215) Fine printNot the kind you buy framed to hang over the sofa. I
mean the all but illegible microscopic text printed in light gray ink at the
bottom of the back of the flyer exhorting you to take advantage of this
incredible, never to be repeated opportunity to save 60%*
(* of the highest price ever advertised for a similar but
higher quality item) and get a fabulous gift absolutely free*
(* with signing of a lifetime contract),
with nothing down and ultra low payments*
(*
for first six months).
Obviously the advertiser's hope is that you will not even
notice, let alone read the fine print. But just in case you get the crazy notion
to actually read it (with the aid of a good magnifying glass) you'll find that
the text is not in English but in highly compressed legalese designed for zero
intelligibility. You will not be able to make heads or tails of it. As
intended.
For years I have been
trying to find out the actual cost of a sattelite based or a cable
based stand-alone Internet service. No dice. I could not decifer the fine print
gobbledygook and the large print text only hyped all the "free" stuff and
the low "introductory" payments. The
only way
I could find out was by actually subscribing and waiting for my first monthly
bill. Now I know - it's $49.95 per month for the cable high speed Internet. I
still don't know the price of the sattelite service. Neighbors are of no help -
they have different "packages" at various prices, none of them a straight
Internet service..
In this
country (and I'm sure we're a typical market based society), at least on the
retail level, it is evidently impossible to sell anything without concealment
and deceit. You give the customer straight goods about the product quality and
price at the risk, nay,
assurance of
bankruptcy.
When it comes
to industrial sales, the situation is very different. Purchasing agents have no
tolerance for the "fine print" nonsense and salespeople don't even try. Sales
contracts are based strictly on fully disclosed facts, whether they be product
specifications and prices or strategic business advantages, legitimate or
not. There may be some misunderstandings and deliberate slanting of data,
but as a rule, nobody's trying to fool anybody - except perhaps some
fly-by-night outfits, here today gone tomorrow, feeding off greed and
inexperience of newbie buyers.
Why then do the consumers
have to be fooled? Because, unlike the industrial
buyers, the consumers are thoroughly and hopelessly irrational. They don't buy
things, they buy dreams and hopes. Not the steak but the sizzle. Not the book
but its cover. And when it comes to figuring out real costs of buying an item,
forget it. They don't even want to know. As far as consumers are concerned ther
are no "real" costs. As MasterCard actually
stresses in their ads, consumers see their purchases as
priceless experiences (or hopes thereof).
They may be right. Life is not
about costs, it's about
feelings. Feelings
are priceless. The only question is, can you charge
them? That depends, at least in part, on your credit rating.
Until tomorrow,
Paul W.
03/12/08 (#0214) Hard labor
Speaking of stress, I'm in the process of running a sort of
a stress test on myself to see how much I can take before I self-destruct. I
have committed to have a show on May 17th (you heard it here first!). But I have
been lazy or indisposed for most of the last year so I have very little in way
of new work to show. Especially paintings.
As diligent readers of the Nutshell already know, I am a
handicapped artist - I can't draw. I mean I have no natural aptitude for it.
Maybe even an antitalent. But, as Da Vinci or Rembrandt or some
other important artist noted (I can't be bothered to look it up right
now), drawing is the foundation of painting. I get by by virtue of
intensive labor. What might take Sargent, the Paganini of the paint brush, a few
minutes to toss off, takes me hours or days of faking it. It's a frustrating and
stressful process. Eventually, by torturing the image long enough, I get there,
but it's no fun at all.
Inspiration is not a problem. I have zillions of ideas
screaming to be painted. It's the execution that's a killer. So anyway, I'm
trying to paint a painting a week between now and the show time. I have never
done this before. A painting a month is my best rate ever to date. To make
it possible I have restricted the size of each painting to a standard 24" x
30" and the subject matter to landscapes - specifically imaginary
re-interpretations of landscapes from my travels captured with an early digital
camera with the magnificent resolution of 600,000 pixels. I had intended that
these rough images would be sketches for future paintings and now, a decade
later, I am finally getting around to carrying out this intent.
I don't know how long I will last.
I'm on the fourth one. But two of the other three have yet to be finished. I
can't finish a painting in one continuous series of work sessions. At some point
it has to be set aside and I have to get away from it and come back to
it later with a fresh eye.
Well, there's nothing for it but to carry on relentlessly
with the drudgery until I drop or run out of time.
Until tomorrow,
Paul W.
03/11/08 (#0213)
Romantic, exquisite, and cheap.
(Re TN #212) Amen Bro, good
for the soul and the bod too!. P.S. F.Y.I.: the "old
dictum " is Proverbs 17:22 - cassandra eatingapples
To be
exact: "A cheerful heart is a good medicine, but a downcast spirit dries up the
bones." (NRSV). This observation was first made at least 3100 years
ago, without, nota bene, the benefit of the
scientific method. Yet many act as if it was news to them... - the Ed.
(Re TN #212) "Research indicates that children smile or
laugh 400 times per day, adults smile or laugh 15 or less times per day and
think negative ideas ¾ of the time. Laughter benefits the body, mind and
intellect and the dominant emotions of pleasure, peace, love, and joy. It can
control high blood pressure and heart disease and strengthens the immune system.
It is the best exercise for bronchitis and asthma by improving the lung capacity
and oxygen level in the blood …and it reduces snoring because laughter is very
good for the muscles of the soft palate and throat!" - found by
Charles
The Voice of the Contemporary Authority for those who don't
trust 3100 year old proverbs. - the Ed
Today's title refers to the
required specifications for the love tokens Rev. Dr. H.H.H. and I exchange on
traditional occasions. It has never been a problem to meet them. "The best
things in life are free" claims another old dictum. However, not
all the good things are free. But in this golden age
of general prosperity (in most of the world anyway and certainly in North
America and Europe) almost all the good things can be had
cheap.
The most spectacular date I ever had (with all due respect
to Rev. Dr. H.H.H. with whom I had more spectacular dates than with anyone else)
was with a pleasant young woman who looked and dressed every inch a supermodel.
It was at the company Christmas Party and everybody's jaw hit the floor when I
walked in with my date. It was the talk of the company for weeks. The lady in
question was actually just a friend, we never had any romantic involvement.
She was a single mom on a meagre income. But she had the bod and was a
genius at dressing on the cheap.
It was she who introduced me to the thrift and second hand
stores - I hadn't known such places existed. I have been making good use of them
ever since. Among other appurtenances of good life, I have built myself a
library worthy of an ivy league scholar by scouring every used book store I have
come across.
It is so easy
nowadays to live well and elegantly for peanuts that the rich have to
go to great lengths to distinguish themselves from the
hoi polloi. They don't always succeed. What good does
it do to pay an exorbitant price for some item of luxury when virtually
indistinguisheable (and functionally fully equivalent) knock-offs are
available to the public for a tiny fraction of the price? Many just throw
in the towel and are content to be distinguished merely by their freedom to do
whatever they wish. Ironically, the very poor are also
existentially free so the prince and the pauper can
sometimes be truly indistinguisheable.
However, we
need those who
live expensively. After all, they pay for the labor of the fine craftsmen and
highly skilled workers who could never make a living otherwise what with
factories in China, Indonesia and Thailand mass producing quality
goods cheaply. The rich have virtually an obligation to be patrons of arts and
crafts. Besides, they need the uniqueness of their one-of-a-kind
handcrafted possessions to certify their wealth. I depend on their
conspicuous consumption to help keep the economy humming even as
I carry on enjoying life of a casual billionaire in my
second-hand made-in-China clothes.
Until tomorrow,
Paul W.
03/10/08 (#0212)
LOL
Laughter is the best medicine according to the
old dictum. (Apples are good, too). Of course, science takes nothing for
granted: statistical analysis of data collected over a long
time confirms that, all other things being equal, people who laugh a
lot tend live longer and and enjoy better health than people who laugh
little or not at all. So there it is. A scientific fact.
Next question: so why aren't we
all laughing? Ask any harried adult and they'll tell you life is no
laughing matter. It's serious business. Stressful. Demanding. Dangerous.
Even lethal - it is a well known and shocking fact that the mortality among
the living is 100%.
Now,
some stress is good for us. It keeps us in
good shape and functioning well. In any case, to get
anything done at all we can't avoid stressing
ourselves at least to some minimal extent. Actually, without stress there could
be no laughter because laughter is essentially spontaneous stress
relief. We
can't laugh all the time - we need to
build up some stress first, and then, when pressure begins to be too much,
laughter is our safety valve. (That's the principle behind a joke: the set up
builds up the pressure, the punch line lets it out. The nice thing about jokes
is that they let us practice laughter without having to undergo life's real
stresses. And satire, which plays off the real life stresses, makes
them more bearable.)
People who
don't or can't laugh endanger their health - they lack the stress relief valve,
and excessive stress
is indeed lethal. The
inability to laugh can be a product of a vicious circle: the less people
laugh, the more stressed they become and consequently less able to laugh. It
starts with taking one's life too seriously - perhaps as a matter of
self-flattery, to make oneself feel important. In fact some people derive their
sense of worth from how much they are stressed and actually cultivate a high
level of stress to maintain their egos. Worse yet, these people impose their
belief that stress equals worth on others around them - the slave
driver boss from hell is a typical example. Beware of a workplace where
laughter is not allowed!
Is
life getting to be too much? Are you just barely hanging on? Are you worried
about the future? Before you do anything else, have an apple and a good laugh.
Then go and do what needs to be done - it will go better, believe me.
Until tomorrow,
Paul W.
03/08/08 (#0211) Blessed are
the weak
My body never could keep up with my mind and it's
not because I am a mental giant. I rather think it has
to do with a hormonal imbalance which results in below (way below) average
levels of energy. Nevertheless, I am within what the medical science considers
to be the "normal" range so there's nothing to be done about it. And I
think I am finally getting used to it. I have quit kvetching about it and
started appreciating the upside.
Yes, there is an upside. For one, my body has relatively
little wear and tear on it since I haven't been using it as hard as the
average joe - don't have the energy or strength for it. My cardiologist told me
I have a young heart. Isn't that nice? Decidedly an upside. But wait, there's
more.
Because my own potential
for physical exertion is so limited, what people consider normal to me is
wonderful. I am particularly appreciative of dancers of every kind - I am
astonished and thoroughly enchanted by dancers. I can't even begin to imagine
where they find the strength and the grace to do what they do and what they
do I see as ranging from marvelous to miraculous. Because the
difference between me and them is so vast, I am beyond even the faintest
whisper of any inclination to envy them or to wish I could be like them. I am a
fish, they are the birds. I am free to appreciate them wholeheartedly, an
undiluted source of joy in my life.
The same goes for all feats of physical prowess - and I am
not talking here olympic athletes (though I do adore them). Just regular
people amaze me by what they can do in way of physical labor. I would never
believe it if I did not see it with my own eyes. Again, no envy, just pure
appreciation and wonder.
Artists, architects, actors, musicians, movie directors are
god-like to me! Their works just blow my mind. That human beings can create
works of such magnitude, scope and complexity is a source of never ceasing
wonder to me. Engineers, scientists, corporate executives, and yes, presidential
candidates and other monsters, politicians in general, and even used car
salesmen all have my highest admiration. How hard they work! How much (for
better or worse) they accomplish!
I could never appreciate others as much as I do if I were
even merely mediocre in my capacity for work, let alone above average. I
have noticed that people of above average abilities tend to be impatient with
and unappreciative of those who are weaker or less able. And rightly so. But
they have fewer oportunities than I to engage their sense of wonder -
they have a much higher threshhold to overcome before wonder kicks in. I don't
envy them.
Until Monday,
Paul W.
03/07/08 (#0210) Two steps forward?Granted,
we must not underestimate the widespread ignorance, confused thinking and
irrational beliefs that keep the world seething with chaotic activity. It
may be that people who can think clearly about what is actually the case
are a small minority - I don't have the statistics. Nevertheless, such
people
do exist and, I believe, in sufficient
numbers to assure a bright future for the world. At least in
the foreseeable term.
I
also believe their number is increasing (as a percentage of population). I
used to think that while a small number of individuals continues to build on
what our predecessors achieved in way of understanding the world and ourselves,
in general, humanity's understanding remains virtually static. But
now, thanks mainly to the Web, we are actually becoming better informed
and maybe even smarter. And this may be happening faster than we think.
Knowledge is power. Information is
not. Information overload can actually make us stupid ("knowing" too much for
our own good). However we are beginning to be served with information in an
organized, useable form, relatively easily convertible into genuine knowledge.
Only deliberate refusal can keep us now from learning.
As I observe the current electoral
frenzy in my adopted country I can't help but be optimistic. The two Democratic
contenders for the office of the president did not emerge by pure chance:
they reflect the current state of the American society. And the fact is that,
whatever may be said of either one, either one is a more solid choice than
we've had in a long time. (Solid would also be the right term for the Republican
candidate). It is said that people always get a government they
deserve. It seems we have become more deserving in
course of the last decade. Certainly the level of public discourse seems to be
higher than usual as well as more intense. This may be in part due to the
residual sexism and racism being fully engaged but I think the Web has been a
significant factor.
Of course,
the economic downturn also helped. Nothing like hard times to focus one's mind.
Between our enhanced
willingness to think and our
electronically amplified capacity for thought and discourse I think we may have
a chance.
Until tomorrow,
Paul W.
03/06/08 (#0209) Contemporary
minstrelsyWandering minstrels have been with us since the pre-Homeric
times. Recently (in historical terms) their function has been radically
amplified. This has had, as might be expected, radical effects on both the
minstrels and the public.
As
late as the early 20th century, the wandering minstrel was not so different
from those of the ancient days. Accompaniment, if any, was provided by
some portable instrument like a lute, guitar, small harp, zither or a
hurdy-gurdy. The audience was small and intimate, the reward was some coins or
food and a place to crash. Possibilities for fame and celebrity were
limited to singing at the courts of the nobility (or the equivalent) and
maybe having one's music published (by hand copying and later by printing).
Then came the phonograph and the
radio, and soon after the TV, CD, MP3, and the i-Pod. At the same time
the car, the plane and the Web globalized minstrelsy. Monstrous audio
systems made mass concerts possible. Electronic instruments placed the entire
universe of sound at the minstrel's disposal. It's a colossal leap
from the blind Homer and his lyre to Amy Winehouse and her band, yet it only
just happened, within the last few decades of the history of
minstrelsy.
Both the
minstrels of old and our contemporary ones embrace the life of a minstrel
despite all the discomfort and hardship it entails because it is far more
intense and vivid and interesting than the life of the common folk. Except that
now, amplified by many orders of magnitude, this life can be inhumanly intense
and demanding. Likewise its satisfactions and rewards can be more than a
mere human can deal with. Yet, intensity freaks that we are, we never have
enough, and we don't know where to stop. Contemporary minstrels who achieve fame
and celebrity tend to die young though there
are a few who are gifted with a
toughness and vigor and wisdom (and luck) necessary to survive the
amplification and perhaps even thrive.
As for the public, the shift in numbers from a few to
many millions makes the influence of the music potentially vastly
greater. However, this is diluted by the instant availability of a mind-boggling
quantity and quality of music. The marketplace of music is now beyond human
capacity for direct evaluation. Concerts and radio play have become
chief promotional events. Otherwise, our choices of music are
indirectly guided by celebrity, advertising, and such reviews as may come
to our attention.
Nevertheless, we still have with us vestigial remains of
the minstrels of old. Every would-be minstrel on his/her way to fame and
celebrity, unless born already famous, must pass through the initiation of
building an audience and recognition. During that process he or
she is operating very much like the ancient minstrels did. But
with the Web providing instant world-wide stage for any one who cares
to post a video of their performance, for a gifted minstrel with an
appealing message this process can be awfully brief - like minutes.
Then it's on to Big Time.
Until
tomorrow,
Paul W.
03/05/08 (#0208) Consciousness, human and
nonhuman Consciousness. Experience. Sensation. Observation.
Event/happening. These five words are essentially synonymous and
interchangeable. To keep things manageable I will use just one of them,
"consciousness", with the understanding that any one of the five can be
substituted for "consciousness" without changing anything. In fact, I encourage
you to do just that - it helps to eliminate confusion that arises when
these terms are assumed to have different meanings.
Complex consciousness, like all "physical" phenomena, is
quantized, that is, it's built up from elementary "particles" or quanta of
consciousness which cannot be further subdivided. (A quantum of
consciousness is the consciousness involved in an elementary
observation or event). I won't speculate here further about the nature of a
quantum of consciousness or its properties. The point of this dissertation is
that higher forms of consciousness may be built up from these elementary quanta
just as complicated chunks of matter such as apples, cell phones, or human
beings are built up from elementary particles. In fact, elementary
particles are themselves creatures of consciousness so the degree of
consciousness in material things naturally increases with their
complexity.
Somewhere on the
spectrum of consciousness, from the lowest to the highest, that is, from
its most elementary forms to the most complex, there is a
stretch corresponding to the range of human consciousness. The question
before us is, where does "human consciousness" begin and where does it end?
We can easily tell that an apple
is not at the level of human consciousness. Cell phone, even with a camera,
e-mail and satelite guidance, clearly isn't either. A dog does
have something resembling human consciousness, but it is not likely to
be mistaken for a human. A chimpanzee comes even closer - it appears to
have consciousness of a three year old human. On the other hand, some brain
damaged or undeveloped humans have less consciousness than a chimpanzee. So
where does true "human" consciousness begin? The question is important because
we treat humans radically differently from the way we treat animals.
Killing a chimpanzee is not murder, but killing a human baby is because the baby
has the
potential of becoming fully human even if
it isn't yet. But is a baby's life more or less valuable than that of a fully
grown human being? One hesitates to quantify such things - it's weighing
hope against actuality.
Our
consciousness usually diminishes with age, and rather early in life, too.
Not because of disease or decay but because of automatism and habit, because
of narrowing and dulling of attention. We tend to become
less human as we grow up. If we live long enough, the
decay of old age robs us further of humanity, diminishing consciousness. We can
be also driven insane by pain and deprivation, whether accidentally
or deliberately, to the point where our perception and judgement are
reduced to subhuman levels. We
can be dehumanized,
reduced back to animal status. Our complex brains which support our human
consciousness are fragile and easily damaged or destroyed. There are
many people walking this earth whose humanity can be reasonably called into
question.
Another time I
shall consider the other end of the spectrum of human consciousness. Is it
open-ended? Or are we on the verge of becoming something too different to be
still called human?
Until
tomorrow,
Paul W.
03/04/08 (#0207) Beauty weds joy
Re: TN #206)
Congrats to the Nutshell for once again setting the mind spinning. Glad you
brought some focus to the rainbow effects of multiple disciplines engaging an
audience. Perhaps the boundaries, if there are any, between them are shifting so
sublimely that we are led to both challenge and delight ourselves as we
experience them. Did you just hear what I saw? Or, when I think of your art
pieces, dear Nutshell host… can we see just what he heard? I now draw my
own thought in, however out of tune. Keep on dancing, Nutshell. - TABS
Synaesthesia is a fascinating phenomenon and arts
may well be inducing it in pre-disposed minds. Certainly in my images I try
to give purely visual clues to a full six-sense experience. - the
Ed.
The Nutshell nattered already on several occasions
about beauty. On several other occasions about joy. Today I shall try to wed the
two - it seems to me we have here a marrage made in heaven. Literally.
Both beauty and joy are elementary
experiences, that is, sensations or feelings, like the experience of the redness
of red and of the sweetness of sweet. They do not, however, originate in
the sensory input, at least not directly. Beauty is the feeling of just the
right balance between order and chaos. Joy is the feeling of being right.
See where I'm heading?
Both the experience of beauty and the experience of joy
originate in the sense of rightness, our sixth sense. In a recent
Nutshell (TN #204) I suggested that our sense of rightness comes from four
sources: attention to the present moment, memory (personal and communal), reason
(including imagination) and faith. But if we consider the experience of
beauty, there is clearly more to it than that. We seem to have a built-in
natural sense of rightness when it comes to the balance between order and chaos.
It may be callibrated differently in different individuals (viz. Oscar vs.
Felix) just as we all hear and see differently. Hence the old saw about beauty
being in the eye of the beholder. It is still beauty, nevertheless.
So, to the four criteria of
rightness, I must add a fifth one: a direct sense
of rightness. Thus scientists are encouraged to hope that their theories
are tracking truth when they perceive them as beautiful (or elegant,
which is a species of beautiful). As somebody said (Keats?): truth is beauty,
beauty truth. Joy, I posit, is the experience of the beauty of being right.
It goes deeper still. The beauty of being right derives
from satisfaction of the universal desire that drives existence. As the Irish
poet/philosopher Donahue said: God is beauty.
Until tomorrow,
Paul W.
03/02/08 (#0206) The play's the thing
In the
year 2008, the two highest forms of art, IMHO, are the film and the
theatre, in that order. The one thing that theatre has over the film is that the
actors and the audience are in the immediate presence of each other. Except for
that, film offers the greatest range of possibilities for artistic expression of
any medium, orchestrating, as it does, the full spectrum of the audio-visual
potential.
This may change and
probably will. I can envision the full force of cinematographic technique and
technology brought to live stage presentations. We already use projection
screens and cinematic effects to amplify onstage action. Eventually
the theatre could, if it chooses, become a kind of instantaneous film
produced in real time, mixing direct and cinematographically
enhanced views of the action. Even so, the stage, fixed as it is
in size and location, does not lend itself to the kind of realism that
film can achieve (or fake). For better and worse, the stage must
remain forever a stylized version of reality. Which the film is at least
equally capable of without being limited to it.
However exalted these two art
forms may be, they do not exhaust all the artistic possibilities nor satisfy all
the artistic needs. Aside from music which can be considered equivalent to film
or theatre minus the visuals, and the "performance" art which is
a species of theatre, there is the literature and what I call the "still"
visual arts - painting, photography, sculpture, and "installation" (a sort of
extended, site specific sculpture).
The Nutshell already dealt with the necessity for the
"still" arts: their virtue lies in the very fact of being
essentially fixed in time. (Some still art objects which are intended to change with time might be
considered a subcategory of performance art but that's just a quibble).
Thus they allow for a leisurely development of a relationship between the art
object and the viewer over an arbitrarily long stretch of time. They are works
one can literally live with. And they are not
actually static, even if fixed in time. Their dynamism lies in the evolving
relationship with the viewer.
Literature occupies a middle territory between
the performing and still arts. A novel is akin to a film but one which can
be enjoyed piecemeal, at reader's leisure. A poem is kind of verbal music - with
the distinction that the reader can contemplate it at leisure. But a poem
can also be performed, in which case it becomes theatre. The
same, needless to say, goes for plays.
Until Tuesday,
Paul W.
03/01/08 (#0205)
Pipe dreams
Smoking may be dangerous to our health but there's no
denying, it used to be sexy as hell. Just think what Lauren Bacall could do with
a cigarette. Try that with a cup of java, or even a martini. There's no
substitute - we have nothing equivalent to take the cigarette's place in
the repertory of cultural resources for exquisitely refined expression.
I said used to be. People still smoke (in the USA about 20%
of the population) but it ain't the same. Smoking has been reduced from an
elegant form of self-expression to a guilty nasty habit. Socially
disapproved, generally banned, and all that. What a pity.
I never smoked. Cigarettes, that
is. Oh, I tried but I did not enjoy it much and it was too much trouble. Never
stuck with it long enough to acquire the habit. But my phlegmatic and artistic
nature was naturally attracted to the pipe.
Pipe smoking is as different from cigarette smoking as
a walk in the woods is different from a night in a bar. It's not about sex,
it's about aesthetics. It's about contemplation. It's about time out to
appreciate life. It's an artistic experience.
The pipe itself is a sensuous art object as well as a work
of high craftsmanship and subtle technology. Varieties of form and function
are amazingly diverse. The finest pipes cost thousands of dollars and
collectible antiques fetch tens of thousands. The pipe tobaccos come in an even
greater variety of smoking and handling characteristics such as
aroma, taste, texture, moisture, temperature and speed of combustion,
packaging, etc. Loading the pipe with the tobacco is an art in itself, as
much as the smoking of it. All this takes attention, consideration,
connaisseurship, and finely tuned sensibilities.
And time. With all the distractions that life offers I
never found the time to develop a fine pipe smoking habit either. I
smoked the pipe only occasionally (and hugely enjoyed it). Actually, I
spent more time and energy collecting pipes than smoking them. My budget did not
allow investment in fine expensive pipes, but this did not deter me. I soon
discovered that smoking qualities of a pipe were unrelated to the price and
there were plenty of worthy specimens at the low end. And the variety of
shapes, sizes, materials and finishes was endless.
I did acquire, or was given, some
fancier pipes. A few I picked up occasionally at bargain prices. But even though
most of my pipes were on the cheap side their variety was
fascinating. Especially whenever I travelled I made a point of seeking out
distictive local pipes. Over the years I collected quite a few of which
about seventy became my favorites.
Then my doctor told me I can't smoke them. At all. Not even
once in a rare while? Not even. So they're all in a look-but-don't-touch display
case, under glass. Yet another dismal cultural diminishment. I'm doing the
Nutshell instead.
Until
tomorrow (Sunday Special),
Paul
W.
02/28/08 (#0203) Sense of
wonder
(Re: TN #202) Hmm. Speaking solely for myself, I have yet
to meet anyone who seems to me - at least to MY satisfaction - that he/she
has "had all [his/hers] beliefs and notions and habits of thought utterly
destroyed and then restored", and who, as a consequence, doesn't "take
[him/herself] and his/her beliefs too seriously." - Ardeshir
Well, it may not be apparent. Sudden expansion of
one's frame of reference does not lead to instant personality change
- that is a longstanding habit not easily shaken off. Besides,
unless one makes the effort to remember and apply the experience one soon forgets (since it
is totally unlike the habitual experience of self) and after a
while it fades to nothing more than a strange and distant dream. - the
Ed
Of all the sensations that make up
our experience of being, the second most significant is the sense of
wonder. (The first is the sense of joy/appreciation).
I don't mean wonder in the sense
of "seeking information" as in "I wonder how much this costs?". The wonder I'm
referring to is not an inquiry but a state of mind - awe, amazement,
astonishment, the feeling expressed by the idiom "blown away".
Or "far out, man" as the hippies used to say.
Wonder is a natural psychedelic. It is the exact opposite
of "taking for granted", the state of mind in which we give no attention to the
object or phenomenon in question. As a consequence we learn nothing of or about
it. Wonder, on the other hand, focuses attention and opens our minds to
the full potential of that which is beheld. We drink it in, make it
intentionally (though not always eagerly) part of ourselves.
Wonder leads
either to enjoyment or to fear. All things wonderful (and I can't
think of one that is not) are worth our attention but they are not all
beautiful, useful or harmless. Some are terrifying and dangerous.
The sense of wonder is not just an
aspect of experiencing. We can and do use it creatively in play and work by
imagining wonderful scenarios to enact, whether for pure enjoyment, or to deal
with the needs of the moment, or to give direction and shape to the rest of our
life. Indeed, whatever we do must be inspired with wonder if it
is to have style and grace, i.e. if it is to be worth doing.
As somebody said, it's a wonderful
life. Or, at least, it can be.
Until tomorrow,
Paul W.